Ambientscapes - External Natures

SAMANTHA JONES . INFO

Samantha Jones is an International New Media Artist, based in Liverpool, UK. She develops intelligent sculptural systems that analyze, respond and visualize the elemental, physical and cultural environment. Predominantly creating site specific work in, real-time video, 3D environments, sound and live data to create virtual and public installation’s, that respond and intervene into both physical , ecological, geopolitical space, to change how we perceive, engage, and view the environment and culture that surrounds us


News - Samantha will be undertaking an arts resideny in Syria with the arts organisation ALLARTNOW. This will take palce between 15-09-11 and 30-10-11.


News - Above Us Only Sky was further developed in Palestine/Israel with support of Palestinian artists British Council in Jordan. With just a notebook of gps positions of former residential addresses of Palestinian now artist based in Jordan, a digital SLR and a data logger, this piece explored the loss of home, memory and nation.


News - Samantha was supported by the British Council to take part in the Shatana 08 international artist workshop in Jordan. Shatana 08 was hosted by MAKAN as part of the Triangle Arts Trust network. Visit Above us only sky on flickr to view images of the outcome to this workshop, which was exhibited in Shatana village

Imagine there's no heaven

It's easy if you try

No hell below us

Above us only sky

Imagine all the people

Living for today

Imagine there's no Country

It isn't hard to do

Nothing to kill or die for

And no religion too

Imagine all the people

Living life in peace

Lyrics by John Lennon - Born Liverpool, UK
Liverpool born sound artist Sam Jones used GPS to plot the geographic location of Shatana. The village yielded an unexpectedly high number of satellites in the sky above it. To highlight this, with the aim of drawing into question why there would be so many satellites above such an unknown village, Sam located a number of exact geographic positions where she had field recorded. Local crafts people cut these positions out of aluminium and they were placed back in the village, to deflect and disrupt the satellites' signals. The audio recordings where then placed in a local house, unobserved by the satellites roaming above.

Update - Samantha has been commsission by FACT (Foundation for Arts and Creative Technology)and Liverpool Culture Company to undertake research into the forms of new media arts that will support their Arts Health and Technology strategy ( 21- 09 - 08 )

Update - Samantha has been commsission by FACT (Foundation for Arts and Creative Technology) to develop a intelligent sensory waiting room for the pathlolgy department of Alder Hey hospital ( 11- 08 - 08 )

News 08 - Samantha has been commsission by FACT (Foundation for Arts and Creative Technology) to collaborate with patients and Staff at Alder Hey Children's Hospital's Oncology ward to research and develop a interactive sound project to be installed within the Hospital in 08 as part of the Sonic Streams programme. Got to Sonic Streams website for more information( 03- 05 - 08 )


Update - Samantha has been commsission by FACT (Foundation for Arts and Creative Technology) to collaborate with patients and Staff at Alder Hey Children's Hospital's Oncology ward to research and develop a interactive sound project to be installed within the hospital in 09 as part of the Sonic Streams progreamme ( 03- 10 - 07 )


News 07 - Samantha is currently project managing the Sonic Streams programme. Sonic Streams is a creative collaboration between FACT (Foundation for Arts and Creative Technology) and Alder Hey Children's Hospital exploring the effects of sound on the human body. Bafta award winning sound recordist Chris Watson and LA based New Media artist Josh Nimoy have been commisioned to collaborate with patients and Staff at Alder Hey to develop innovative sound based pieces for use within the hospital. (27-06-07)


Update 07 - Dreams project is underway. Samantha is currently collaborating with Verd De Gris on their Dreams schools project. Working with schools in Salford, Oldham and Liverpool, Sam will be developing an DreamTree website with the school children. (27-02-07)
Update 07 - SoundNetwork@Home Commission, the final sound piece of INHERENT ACOUSTICS was installed in the Roald Dahl Haemostasis and Thrombosis Centre during the Liverpool Biennial. INHERENT ACOUSTICS was also featured in the Citybreaks, Biennials Conference, as part of the Centre for Architecture and the Visual Arts (CAVA) presentation and also on the Biennial website. (27-02-07)
07 + Liverpool Biennial - Winter Lights - Building on the success of Animal, the first Winter Lights project Samantha Jones managed. Liverpool Biennial is commissioning another international artist to create a series of temporary lightworks, also to be project managed by Sam. Animal (Winter Lights 1) involved three large neon Animal lights in Kensington, Kirkdale and Garston, developed by artist Ron Haselden and pupils from schools in the three neighbourhood areas. The final Animal is to be launched in November 2007 will be a Rabbit and will be located in the city centre. Animal is also as featured on the + Axis public realm programme which shows a diverse selection of original works, championing best practice and innovation and enabling researchers, curators, journalists and commissioners to find new artists for their projects.(27-02-07)
06 - With support of the + Sound Network and their SoundNetwork@Home Commission, Samantha will be collaborating with the Research Team & Patients at the Roald Dahl Haemostasis and Thrombosis Centre during the Liverpool Biennial. This collaboration will be an acoustic exploration into the Physical and Psychological effects of Sound. This exploration will investigate the very nature of sound and its inherent relationship with the human body. To View the original proposal for INHERENT ACOUSTICS + Click Here . Written and acoustic based research developed by Sam and the Roald Dahl Centre team will be posted here over the course of the Liverpool Biennial. (15-08-06)

Previous Research + Ambientscapes is a computer system developed in MAX/MSP Jitter which interacts with an environments sound fields, analyzing fluctuating fundamental and harmonic frequencies to generate virtual sculptures. This acoustic stimuli becomes the raw data, producing reactive generative structures, sculpted in virtual space, creating a synthesis of digital and sonic space. + Click Here to view selection of images.

Previous- Samantha is working with Ron Haselden as Project Manager for his 'Animal' Project. Ron has been commissioned by the + Liverpool Biennial as part of the Biennial's International Festival to create a number of large scale Neon 'Animals' for Public Site Specific intalllation during the Festival. + Click Here to visit Rons site and updates will be posted on this site soon (21-07-06).

Previous- Development Sentient Lighting systems with + EDC - Engineering Development Centre of Liverpool John Moores University. Intelligent Lighting modules using RGB LED lights and embeded systems that respond to each other and the presence of public. The production of Interactive Public Realm Seating Modules that flood with changing colour is underway. Updates and Schematics will be posted soon (21-07-06).

Previous - Ambientscapes was premiered at the Chapman Gallery, Salford, UK~November 2006 with support of A2AA - Artists Access into Art Schools - Access Award, the Arts Council England, Salford University School of Art & Design and Salford Arts Unit. This sonically generated large-scale multi-screen installation + Ambientscapes : External Natures featured stunning, 3-Dimensional Ambientscapes on the Chapman Gallery's 60ft panelled window.

Recent & Previous Performances- Feb 22 2006 Centre Dansaart, Brussels – Belgium Sonic, Light and 3D,Visual Live Performance. Audio Visual performance @ VIPER Basel - Switzerland ~ March 18 – 23 2005 24th VIPER – New Media Festival, Realtime Responsive 3D / Light & Sonic Performance characterised by the relation between sound and Light. July 23 2004 Goldsmiths College, London - Electronic Music Studio Realtime Responsive 3D Visual & Sonic Performance

Previous + Absent Landscapes : Invisible Journeys - Through the visual and ideological motif of landscape, this interactive work examined our understanding of landscape, (both physical and virtual), hidden under layers of distorted/discarded history . Exploring the users capacity to relate to the ‘geographical’ discourse, both physical and historical, of the landscape that they inhabit through a ‘virtual vista’ of a interactive video installation.

Previous + Intimate Synthetics - A video entity programmed to responsed to the user using a prototype system for gesture recognition. The focus of the project was in creating a user experience that was an emotive and intimate form of human-computer interactions.